![]() Sadly, the artwork remains missing after it was stolen from the Isabella Stewart Gardner Museum in 1990. Another religious allegory can be seen in the mast of the ship, which takes the form of a cross. The beam of light signifies hope, and indeed could suggest Jesus’s divine intervention. It is a chaotic scene, enhanced by the contrasting light and shadows. The left side is illuminated by a beam of light, showing viewers the disciples frantically trying to control the boat. The artwork demonstrates Rembrandt’s mastery of chiaroscuro, with the dark, rolling clouds overshadowing the right side of the piece. The painting depicts the scene, with an angry, swirling sea threatening to overthrow the boat that contains Christ and his disciples. He said to them, ‘Why are you afraid? Have you still no faith?’ And they were filled with great awe and said to one another, ‘Who then is this, that even the wind and the sea obey him?’” Storm on the Sea of Galilee (1633) “He woke up and rebuked the wind, and said to the sea, ‘Peace! Be still!’ Then the wind ceased, and there was a dead calm. The piece is based on the following verse from the Bible, Mark 4:39-41, when Jesus calms the angry ocean and saves his disciples: Storm on the Sea of Galilee is the only seascape painted by Rembrandt. ![]() After twenty years, his remains were destroyed. However, by the time of Rembrandt’s death in 1669, he was alone and was buried in an unmarked grave in the Westerkerk. He also continued to receive commissions for portraits of notable figures. He later turned to landscape painting, with The Mill being one of his most admired pieces, and his landscapes would later influence artists such as Jacob van Ruisdael. Rembrandt continued to suffer financial difficulties, eventually selling his possessions, his house and his printing press. Rembrandt continued to paint, although his baroque style was falling out of favor with Dutch buyers, who favored more flamboyant, dramatic works. While one of their daughters died during childbirth, their daughter Cornelia was born a healthy child. Rembrandt later entered into a relationship with his maid Hendrickje Stoffels, with whom he had two children. Saskia died of tuberculosis in 1642, after giving birth to their son Titus, their only child to survive into adulthood. ![]() They suffered considerable financial distress after purchasing a large home, and were devastated by the deaths of their three children during their infancy. Rembrandt enjoyed the newfound fame and luxury his reputation brought him, but he and Saskia’s life would soon be plagued with troubles. Tulp propelled Rembrandt to a legendary status, leading him to become a burgess of Amsterdam and a member of the local guild for painters. Rembrandt’s 1632 artwork The Anatomy Lesson of Dr. It was in this bustling metropolis where Rembrandt met his wife Saskia, whose family connections opened up a world of new connections. It is related to God.”Īlthough Rembrandt briefly moved back to his hometown of Leiden, he was encouraged by his patron Constantijn Huyges to move to Amsterdam. He also became adept at depicting historical and religious scenes, stating “Painting is the grandchild of nature. After a few months of studying with Lastman, Rembrandt had mastered chiaroscuro, the notoriously complex technique of contrasting light and dark within a painting. Although he displayed an interest in literature and scripture, he abandoned his studies when he developed an interest in painting.įor three years, he served as an apprentice to Jacob Swaneburgh, and then studied with Pieter Lastman. Rembrandt received the best education offered at the time, studying at the Latin School in Leiden. From an early age, Rembrandt was introduced to religion, with his mother Cornelia often reading Scriptures to him and his eight siblings. Rembrandt van Rijn was born into a prosperous family, in the Netherlands. In this article, Singulart will explore the life of Rembrandt, the composition of Storm of the Sea of Galilee, and the infamous art theft of the Gardner Museum. Depicting Christ leading his disciples through a stormy ocean, the artwork was famously stolen from the Isabella Stewart Gardner Museum in 1990, and remains missing to this day. The dynamic Storm on the Sea of Galilee is the only seascape by renowned baroque artist Rembrandt van Rijn.
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